Rrose x Polygonia - Dermatology (Eaux)
It’s precise and dense, with meticulous sound design. — Yewande Adeniran
Saturday, 28 December 2024
Friday, 23 August 2024
#487
Patricia Brennan Septet - Breaking Stretch (Pyroclastic)
The album represents a huge leap forward, firmly establishing Brennan as a fiercely original talent on the New York scene. — Peter Margasak
The album represents a huge leap forward, firmly establishing Brennan as a fiercely original talent on the New York scene. — Peter Margasak
Wednesday, 31 July 2024
#486
The Sea Trio - Live in Munich and Bonn (Confront)
The three men distill different generational and aesthetic information into set-long, completely free improvisation. — Bill Meyer
The three men distill different generational and aesthetic information into set-long, completely free improvisation. — Bill Meyer
Monday, 22 July 2024
#485
Ernest Berk - Diversed Tapes (HCR / NMC)
[W]hat transmits from his music is unflagging excitement at the distinctive soundworld he was opening up, and fascination with the possibilities offered by this new medium. — Julian Cowley
[W]hat transmits from his music is unflagging excitement at the distinctive soundworld he was opening up, and fascination with the possibilities offered by this new medium. — Julian Cowley
Monday, 1 July 2024
#484
Misha Faulty - [incoherent imaging] (Multibody)
[T]here’s also evidence of a steely sense of control here: the twisting, cutting and splicing of sound feels like a way of reclaiming agency in the face of a world unfit for need. — Louis Pattison
[T]here’s also evidence of a steely sense of control here: the twisting, cutting and splicing of sound feels like a way of reclaiming agency in the face of a world unfit for need. — Louis Pattison
Saturday, 22 June 2024
#483
Liz Helman - The Colour of Water (Flaming Pines)
Through electronic processing, she makes the clicks, chitters and hums of London glow through cathedral scaled buzz and drone. — Daryl Worthington
Through electronic processing, she makes the clicks, chitters and hums of London glow through cathedral scaled buzz and drone. — Daryl Worthington
Friday, 7 June 2024
#482
AMM - Last Calls (Matchless)
Things rise, gingerly, and fall, a struggle to not struggle playing out in real time, capturing vulnerabilities rarely displayed so openly in improvised music. — Peter Margasak
Things rise, gingerly, and fall, a struggle to not struggle playing out in real time, capturing vulnerabilities rarely displayed so openly in improvised music. — Peter Margasak
Friday, 1 March 2024
#481
Madison Greenstone - Resonance Studies in Ecstatic Consciousness (Relative Pitch)
At times, it sounds like they’re chewing the mouthpiece, producing harmonica-like effects and a keening buzz. — Stewart Smith
At times, it sounds like they’re chewing the mouthpiece, producing harmonica-like effects and a keening buzz. — Stewart Smith
Tuesday, 16 January 2024
#479/480-2
Masayuki Takayanagi New Direction Unit - Mass Hysterism in Another Situation (Black Editions)
The guitarists jettison notes, chords and the last rudiments of jazz technique, instead fashioning endlessly changing shapes of feedback that manifest and disintegrate with the music’s writhing maelstrom. — Bill Meyer
The guitarists jettison notes, chords and the last rudiments of jazz technique, instead fashioning endlessly changing shapes of feedback that manifest and disintegrate with the music’s writhing maelstrom. — Bill Meyer
Sunday, 14 January 2024
#479/480-1
Barry Bermange / Delia Derbyshire / The BBC Radiophonic Workshop - Inventions for Radio (Silva Screen)
One of the true titans of modern sound creating some of her finest work. An act of sonic recovery approximately a billion times better than a so-called new Beatles song. Absolutely essential. — Neil Kulkarni
One of the true titans of modern sound creating some of her finest work. An act of sonic recovery approximately a billion times better than a so-called new Beatles song. Absolutely essential. — Neil Kulkarni
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