Sunday, 24 September 2023

#473

Dwight Trible - Ancient Future (Gearbox Records)
This is a compelling album that makes a strong argument for Trible as much more than a 1970s throwback. He’s too weird for that. — Phil Freeman

Saturday, 27 May 2023

#472

Uboa - The Origin of My Depression (The Flenser)
The Flenser is now reissuing Uboa’s 2019 album (...) on vinyl, sealing her transgender grief and personal trauma onto wax for the first time. — Rosie Esther Solomon

Saturday, 6 May 2023

#471

Genesis P-Orridge & The Hafler Trio - Dream Less Suite (Cortizona)
This sprawling double LP consists of recordings made over several years by The Hafler Trio’s Andrew McKenzie and the late Genesis P-Orridge, as ‘resurrected’ and completed by McKenzie. — Emily Pothast

Friday, 28 April 2023

#470

Satoko Fujii & Otomo Yoshihide - Perpetual Motion (Ayler)
Even when he’s bashing the guitar like it’s a drum, Otomo is matching Fujii’s gestures, not undermining them. — Bill Meyer

Sunday, 23 April 2023

#469

Beatriz Ferreyra - Senderos de Luz y Sombras (Ina-GRM)
Layers of sustained musique concrète continuously fold over and into each other, opening into the reverberance of an outer space littered with thermal atmospheric tides that percussively torque passing planets and stars off their synchronous orbits. — Jo Hutton

Monday, 17 April 2023

#468

Ryuichi Sakamoto - 12 (Milan / Sony)
Though created with minimal means, the resulting music has a palpable sense of open space – each note is like a petal dropped into an infinity pool, the ripples from its impact expanding gently forever. — Claire Biddles

Friday, 7 April 2023

#467

Slumberland & Sainkho Namtchylak - Lightkeeper (Morphine)
[I]f you’re looking to go all the way, try Slumberland and Namtchylak to get an idea of just how far this combination can be pushed in the hands of a mercurial instrumentalist and an impossible vocalist. — Rosie Esther Solomon

Monday, 26 December 2022

2022

Wire 15 (10)
Morton Feldman - Piano and String Quartet (Another Timbre)
Hen Ogledd - No Wood Accepted (Weird World)
System 01 - System 01 (1990-1994) (Mannequin)
Joy Guidry - Radical Acceptance (Whited Sepulchre)
Sarah Cahill - The Future is Female Vol.1: In Nature (First Hand)
Dubbledge & Forest DLG - Ten Toes Down (Potent Funk) +#459
Yawn - Materialism (Mindsweeper) +#459
Širom - The Liquified Throne of Simplicity (Tak:til)
Degradation - Leadlined (Brachliegen Tapes)
Nucleus - Alleycat (Be With) +#461
Emeka Ogboh - 6°30'33.372"N 3°22’0.66"E (Danfotronics)
Gity Razaz - The Strange Highway (BIS)
Deathprod - Sow Your Gold in the White Foliated Earth (Smalltown Supersound)
Cosey Fanni Tutti - Delia Derbyshire: The Myths and the Legendary Tapes OST (Conspiracy International)
Pat Thomas - New Jazz Jungle: Remembering (Feedback Moves)

record of the year
Joy Guidry - Radical Acceptance (Whited Sepulchre)

Saturday, 24 December 2022

#466

Pat Thomas - New Jazz Jungle: Remembering (Feedback Moves)
The reissued New Jazz Jungle: Remembering from 1997 is a unique synthesis of modern composition and dance genres. — Andy Hamilton

Wednesday, 14 December 2022

#465

Cosey Fanni Tutti - Delia Derbyshire: The Myths and the Legendary Tapes OST (Conspiracy International)
As full pastiche, these pieces might have been toothless and sterile, but conjured through Cosey’s caustic sonic prism they have a considerable heft and incisive bite. — Spenser Tomson

Monday, 5 December 2022

#464

Deathprod - Sow Your Gold in the White Foliated Earth (Smalltown Supersound)
Sow Your Gold is an album that works thanks to its contradictions – it’s both alien and recognisable, forward-looking and eminently enjoyable. — Antonio Poscic

Tuesday, 22 November 2022

#463

Gity Razaz - The Strange Highway (BIS)
Whether the mood of her music is angled to convey tender reminiscence, or visionary transformation (...), its gestures are invariably full-blooded. — Julian Cowley

Monday, 15 August 2022

#462

Emeka Ogboh - 6°30'33.372"N 3°22’0.66"E (Danfotronics)
Ogboh’s follow-up (...) is truly special, zooming in on the previous release’s scope to focus on the specific sounds and people surrounding Ojuelegba bus station in the heart of the city. — Emily Bick